Pre-Portuguese Temples



Shri Anant Devasthan


In the small village Savoi Verem in Ponda Taluka(45 kms away from the panajim city) there is unique temple situated with a nice smooth green setting and the only temple in the state which is dedicated to Lord Vishnu appearing here in his incarnation as Ananta, the serpent. The deity carved in black stone is Lord Vishnu (the God of Preservation) who is in his Anantashayya (a sleeping position where the Lord rests on the multi-headed snake king Seshnaga, whose heads shelter the head of the Lord like an umbrella).

Perennial stream of water connected to this water tank is seen flowing along the periphery of the other two sides of the temple. In addition to these water bodies there are two wells inside the temple. The level of water in these wells almost touches the floor of the temple as one has to just kneel down on the floor to draw water from the well. 


There is a presence of seven colors of rainbow on the wooden carving of the pillar.There are currently 4 pillars in the temples,Of this 4 wooden pillars one is silver sheeted. The intricacies of these carvings tell us about the type of the carving tools existing in the ancient times. It should be also noted that such carvings were done without usage of electric tools.
There are many festivals celebrated out of which the most is “Kalo” which is celebrated on anantchaturdashi and other festivals like shibiratosav. 


 
The Mahadev Temple  of  Tambdi Surla


 Well, The temple which we are going to talk about now is so famous that it is really tough to stop talking about the features that puts us numb at its sight. Its none other than the Tambdi Surla temple which is speculated to be 600 years old. Being an art-lover I could not resist myself from clicking photos of each and every architectural piece out there. The pictures are showcased below for your reference along with its descriptions. 


Mahadev temple is located in the village Surla in Sanguem taluka and the village is locally known as Tambdi Surla because of the red earth found in the vicinity. The temple itself is built in Jain style in the twelfth century. The size of the temple is quite small as compared to the size of the average Goan temple. The small, beautifully carved and perfectly proportioned temple is dedicated to Lord Shiva  and has survived Muslim invasions and Portuguese persecution, in its almost perfect condition mainly due to its remote location in a clearing deep in the forest at the foot of the Western Ghats which surround the site in a sheer wall of impenetrable vegetation.

 The temple was built with the grey black talc chlorite schist soap stone (which is a soft stone on which intricate carvings are possible) by Hemadri, the minister of the Yadava King Ramachandra. . The temple faces east so that the rays of the rising sun fall on the deity at the crack of dawn. It has a pillared porch and three stepped entrances and the shrine is surmounted by a tower. The temple consists of Garbagriha (sanctum), Antarala (vestibule), and a pillared Mukhamandapa (main pillared hall) where a stone sculpture of Nandi is seated.


 

The main hall is accessible from three sides with balustrade entrances towards the east, north and south. The quality of construction or quality of stone is such that the temple interiors are always cool. In summer when the temperature outside is unbearable, the inside of temple is cool and refreshing.  Another fact is that the stones are cut in a particular shape and kept on each other without any binding between the stones. 

The mukhamandap is externally decorated with rosettes.The exterior wall of the Garbagriha is simple and raised from the moulded Adhisthana ridged by simple Ardhastambas (pillar projecting from wall). The two tiered Shikhara (roof) rises from Grabagriha is in Dravidian style. Shukanasi (Projected superstructures on the Antarala) is on the east face of the shikhara which is badly damaged. The carvings of Lord Shiva, Lord Vishnu and Lord Brahma with their respective consorts are seen on the panel at the sides of the temple.

 As you approach the temple, on the left hand side one will find 4 stones representing the 4 pandavas. One stone is at the entrance of the temple. These stones go unnoticed by many people.
 

The Mukhamandapa is embellished with four carved lathe pillars and kakshasana (seating arrangement) on three sides and is externally decorated with rosettes (flower motifs). The symbol of the Kadamba kingdom, an elephant trampling a horse is carved on the base of one of the columns. There is a headless Nandi (bull, Shiva’s vehicle) in the Centre of the Mandap, surrounded by four matching columns. Legend says that there were attacks made on the temple at some point of time and the head was destroyed in those attacks.
The capitals of the pillars are carved with the Nagabandhas (serpent bands) and stone ceiling decorated with intricately carved lotus flowers of Ashtakon (eight-fold) variety. The stone slabs are arranged in trabeats (use of pillar and beams) and the ceiling of Mandapa looks like a star with an ornate lotus decoration in the center. This can be seen just above the seated Nandi in the main hall.


The three sides of the Nandimandapa(Mukhamandapa) has gable roof (slanting slabs) and is supported by Kakshasana pillars. Devakostas (niches) are seen on the rear wall of the Antrala
The four Devakostas facing the east, north and south having miniature decorated pillars on either side, resemble the pillars of Mukhamandapa. 

The pinnacle (top) is decorated with miniature Kadamba Shikhara. The Devakostas depict images of lord Vishnu, Nagas, Uma and lord Ganesh.
At the right side of the entrance door has a snake image whereas on the left side is a Dwarpala(guard)
On the western side of Devakostas, is a standing sculpture of Vishnu with hands broken holding Chakra (Discus) and shankh (conch) in the upper hand. Kiritmukuta (crown), Hara (necklaces), Bajubanda (armlets), Kankana (Bangles), Mekhala / Udarbandha(girdle/waist band) and a long Vaijanti mala (necklace) are the ornaments of Vishnu. Garuda is shown as his vahana (vehicle), two attendants are also depicted.

On the extreme east is an image of Lord Ganesh in Paralambapadmasana (sitting posture) along with his attributes Parshu (axe) and Modaka (sweet). A Mekhala (waist band) is shown on his belly in the form of a serpent. On the left side of the main hall is the image of Uma.

The perforated stone latticed screen decorates the entrance of Garbhagriha.The shiv linga is of a fairly large proportion and sits on a spacious bar.There are 2 other lingas placed against the wall in the background.Local legend has it that a huge King Cobra is in permanent residence in the dimly lit interior.
 


Mallika Arjun Temple







 The temple is located on a hill. the starting of the hill marks the entrance to the way to the temple. there is an arch on the entrance of the hill.also there is a small templeof an elephant and horse  on the way to the mallikarjun temple.
 





There is a statue of a horse trampling a man at the entrance of the temple.







There a various incarnations of various gods carved on the shiv linga.
 





In the temple compound, two vahanas are kept. these vahanas are beautifully carved.. the intricate carvings on the vahanas also include god images.
 





Other than the vahanas n the huge shiv linga, there are many other lingas placed all over the temple compound.
 





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